running in water, 2023
running in water, 2023
peter, 2021
peter, 2021
peter, 2021
peter, 2021
i really do have love to give, 2021
i really do have love to give, 2021
marlee headshot, 2021
marlee headshot, 2021
snow day, 2021
snow day, 2021
quinpool night tales, 2021
quinpool night tales, 2021
quinpool night tales, 2021
quinpool night tales, 2021
halifax (may), 2020
halifax (may), 2020
brenna, 2020
brenna, 2020
emma, 2019
emma, 2019
self-portrait, 2019
self-portrait, 2019
untitled, 2017
untitled, 2017
untitled, 2017
untitled, 2017
untitled, 2016
untitled, 2016
untitled, 2016
untitled, 2016
happily ever after, 2016
happily ever after, 2016
untitled, 2016
untitled, 2016

in the style of diane arbus.

the sun trap, 2016
the sun trap, 2016

this photograph tries to illustrate the reassurance that being able to feel sunlight can bring, most prominent during golden hour– i think the ethereality comes attached with the idea that sunlight is very grounding, that is, being able to feel the effects of something outside of the earth that we're chained to by gravity. it's proof that there is something reachable out there, something that will 'live' longer than i ever will; so powerful as to cast either light or shadow around everything around me, as shown by the shadow of a half-hidden rocking chair and the reflection of the girl in the window and the table. it's actually a bit suppressive, the sun i mean. it can touch you but you would rather not reciprocate; everything looks better from a distance, but being able to feel the sunlight during golden hour somehow strikes a perfect balance between being terrified of what's out there and being comfortable with where you are... so as odd as it seems, it feels safe to me, being trapped.

kate, 2016
kate, 2016
the parade, 2016
the parade, 2016
untitled, 2016
untitled, 2016
ritualism, 2016
ritualism, 2016
untitled, 2016
untitled, 2016
company, 2016
company, 2016
stephanie, 2016
stephanie, 2016
apartment four, 2015
apartment four, 2015
day job, 2015
day job, 2015
untitled, 2016
untitled, 2016
running in water, 2023
peter, 2021
peter, 2021
i really do have love to give, 2021
marlee headshot, 2021
snow day, 2021
quinpool night tales, 2021
quinpool night tales, 2021
halifax (may), 2020
brenna, 2020
emma, 2019
self-portrait, 2019
untitled, 2017
untitled, 2017
untitled, 2016
untitled, 2016
happily ever after, 2016
untitled, 2016
the sun trap, 2016
kate, 2016
the parade, 2016
untitled, 2016
ritualism, 2016
untitled, 2016
company, 2016
stephanie, 2016
apartment four, 2015
day job, 2015
untitled, 2016
running in water, 2023
peter, 2021
peter, 2021
i really do have love to give, 2021
marlee headshot, 2021
snow day, 2021
quinpool night tales, 2021
quinpool night tales, 2021
halifax (may), 2020
brenna, 2020
emma, 2019
self-portrait, 2019
untitled, 2017
untitled, 2017
untitled, 2016
untitled, 2016
happily ever after, 2016
untitled, 2016

in the style of diane arbus.

the sun trap, 2016

this photograph tries to illustrate the reassurance that being able to feel sunlight can bring, most prominent during golden hour– i think the ethereality comes attached with the idea that sunlight is very grounding, that is, being able to feel the effects of something outside of the earth that we're chained to by gravity. it's proof that there is something reachable out there, something that will 'live' longer than i ever will; so powerful as to cast either light or shadow around everything around me, as shown by the shadow of a half-hidden rocking chair and the reflection of the girl in the window and the table. it's actually a bit suppressive, the sun i mean. it can touch you but you would rather not reciprocate; everything looks better from a distance, but being able to feel the sunlight during golden hour somehow strikes a perfect balance between being terrified of what's out there and being comfortable with where you are... so as odd as it seems, it feels safe to me, being trapped.

kate, 2016
the parade, 2016
untitled, 2016
ritualism, 2016
untitled, 2016
company, 2016
stephanie, 2016
apartment four, 2015
day job, 2015
untitled, 2016
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